Ghost Notes is a worthy contribution to the pantheon of rock novels. This is a savvy, sharp, insider's view of the rise and fall of a band and what can be lost and found along the way.
-Mark Lindquist, author of Never Mind Nirvana and The King of Methlehem
Engrossing, real, and well-written... the characters are reliable and honest.
-Laurie Notaro, author of There’s a (slight) Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble
Ghost Notes is the Almost Famous for the minor leaguers of rock 'n' roll. I read it straight through and loved it.
-Curtis Grippe, Arizona Republic/Dead Hot Workshop
A bass player ready to jump ship from his mega-band, a drifter who hasn't seen his son for twenty years, a sixteen-year-old high school dropout who is going to rock the world come hell or high water, what melodies will pour forth from these rock 'n' roll hearts?
Art Edwards, co-founder and former bass player of the Refreshments, has published two novels, Ghost Notes and Stuck outside of Phoenix, and has released one solo album, Songs from Memory. To learn more about art, visit www.ArtEdwards.com.
When I was a junior editor one of my duties was to deal with the slush-pile. It was a miserable thing to do, with the bulk of the work it contained far too bad to be publishable; too bad to even be interesting. I'd sit there reading through each submission hoping, every time, that I'd find something good. Something sparky, well-written, original, exciting: but I never did. I had a few near-misses; there were a few submissions which made me hold my breath, just for a moment; which made me think, perhaps—but almost every time the writing would stumble, the direction would change, and into the rejection-pile it would go.
The few times I found a book with real potential—with writing which caught my attention and a premise that made me sit back and smile—I'd feel an odd moment of stillness and silence, a hesitation in time. I'd hear a voice saying, "there—you didn't expect that, did you?" It didn't happen often but when it did, it was magical.
I had one of those magical moments when I read Art Edwards’ book, Ghost Notes.
It's the story of Hote, a troubled bass player with Fun Yung Moon, a touring rock band with a fading reputation. When Hote abandons Fun Yung Moon in the middle of a tour he encounters Pippy, who has dropped out of high school to be a musician.
There is a poignancy to Art's writing which gives his book a rare authenticity. I believed everything he wrote, even the chapter from a drummer in rock and roll heaven who addressed us while reclining on a cloud. I found his sparse, gritty prose quietly lyrical: Art Edwards has a real writerly talent.
My only quibble lies with the multiple viewpoints we encounter through Art's book. While all of his characters are beautifully drawn and fully motivated, their voices do not differ from each other sufficiently to make it clear who is speaking in new each chapter and, as the book is written from a first person point of view throughout, this is particularly troublesome. Had I been editing this book for Art this is the one area I would have advised him to work hard on: resolving this problem would have eliminated the confusion I sometimes felt as I read through the book and it would have enhanced and improved the texture of his multi-layered narrative, giving his already-good book much more depth and scope.
There were a few typos (including that run-on sentence in his back cover copy, quoted above—if you read this, Art, fix it, please!) but they were just about invisible to me because of the quality of Art’s writing. I loved every page of this book despite its flaws, and will be buying his other novel, Stuck Outside of Phoenix, and perhaps his music too. As writers go, he's the real thing and this book is a lovely, memorable read.