Thursday 15 July 2010

Moonlight: Keith Knapp

Fiction/Horror

No more room.

It began with a power outage. A power outage that went beyond lights and televisions. Clocks stopped telling time. Cell phones no longer received signals. Cars became dead relics that wouldn't start.

As the world around them becomes darker, so do the inhabitants of the small town of Westmont, Illinois. A mysterious and evil presence has taken a hold over the village, making the once peaceful town a place of violence and despair

A small group of individuals, untouched by this presence, must uncover the mystery of why they remain normal and discover what—or who—is taking control of their town, one soul at a time.

Because the Man in the Dark Coat is out there. Hunting them.

And not everyone can remain untouched forever.


In the tradition of Stephen King, Dean Koontz and Clive Barker, Keith Knapp tells a horrifying tale of innocence and sin, and what people will overcome to defeat their own innermost demons in the search for hope. This is his first novel.



Moonlight shows great potential. It has an interesting premise and the writer's style is immediate and very accessible, full of believable characters dropped into tricky and surprisingly plausible situations.

Where the book fails is in its editing. I found numerous problems with its punctuation (when will self published writers learn the difference between hyphens and dashes?), a few clichés; redundant statements, some lapses in tense; and a lot of repetition of various plot-points. I understand this last was intended to reinforce the plot but I found it patronising and infuriating, and it only really served to slow the pace of an otherwise fast-moving story.

The author would be wise to improve his editing techniques, too. There is a scene in which a generator will not work which I found particularly irritating: I've lived off-grid for the last thirteen years and we've had several different diesel generators during that time, as have our off-grid neighbours: I've never seen a single generator to work in the way described here. I'll admit I've not had hands-on experience of every single model of generator that there is, and I'm no expert in their workings: but I know enough about them for this description to jar me right out of the narrative—which is exactly what writers should aim to avoid.

In summary, then: a book with real promise and a writer who could do well, let down by basic errors in editing, technique and research. All these should improve with experience, so I hope for better from Mr. Knapp in the future. I read twenty six pages out of a total of four hundred and sixty five, and would have read more had that generator been a little more true-to-life.

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